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Artwork copyright © by Ania Nowakowska |
In his book Take This Waltz - A Celebration of Leonard Cohen, (Canada 1994), Jim Devlin shares his recollection of the December 4, 1979, Hammersmith Odeon concert. Song(s) from this concert will be featured on Field Commander Cohen: Tour Of 1979: |
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"After all these years, I can't remember the chap's exact words, but it was something like: 'Ladies and Gentlemen, we regret that the Leonard Cohen concert will not be starting on time as there still are a few problems with the sound... we hope it will not be too long before the start of the concert and we do apologize for this delay...' The P.A. clicked off. "Some of us just shrugged, lots made a low, groaning noise (not quite in harmony but it suggested E minor to me), and others continued to pore eagerly through Leonard's new book, Death of a Lady's Man. I'd just bought my copy that night too, and inscribed it immediately - London, December 4, 1979, Hammersmith Odeon. "After about 20 minutes, a few fans started singing 'Why are we waiting?', taken up good humouredly by quite a few more (perhaps now in G minor) and any tension among the waiting throng was easily dissolved. Everyone found their voice at about 8:30 and united in a great cheer when the doors finally opened and we flooded in for the concert. "And what a concert! I didn't have a pen or pencil to jot down the songs (my first regret of the evening, though only a slight one); in hindsight, mind you, after the first few songs, I'd probably not have been able to do so as Leonard was slowly and inexorably weaving his magic web of sound throughout the auditorium, wrapping us all in his famous blue raincoat, demanding our silence at the trial of a singer who had to die, begging us to tell him the whereabouts of his gypsy wife... He sang and sang and sang. His voice and guitar and back-up musicians (a young "fusion" band to quote the programme, called Passenger, plus violinist Raffi Hakopian and several others) filled the place with so many of his familiar and best-loved songs in such fresh arrangements they (almost) sounded like new songs; and even those from his most recent album - Recent Songs, of course (which I played over and over again since its release a couple of months earlier) - sounded new and a little unfamiliar. Perhaps it was just the excitement of being at my first Leonard Cohen concert; perhaps it was because it was my very first ever gig at the Hammersmith Odeon; or maybe, and perhaps this is the real reason: it was just... the songs. Sung by their best singer, their composer. "Leonard was dressed in black; and when singing solo, standing in the spotlight, he delivered his lines with emotion, passion and verve; and in one particular song, 'Memories', with a great sense of humour - complete with 'Sha la la's'; and dancing girls - Jennifer Warnes and Sharon Robinson, his brilliant back-up vocalists, doing a marvellous Ronettes routine! God, it made me laugh; and not only me, for the whole place echoed with cheers and laughter every time he belted out: Ah but won't you let me see
I said won't you let me see Won't you let me seeeeeeeeeeeeee Your naked body? Aaaaaaaaaaahhhhhhh aaaaaaahhhhhhhhhh "Of course we had the real Cohen too; lovely versions of 'Who by Fire', 'Chelsea Hotel #2', 'Field Commander Cohen', and many more. Sometimes a song-title was shouted out from the audience but from where I was sitting I couldn't tell if Leonard obliged - he just kept singing one great song after another. "I had to leave before the end (obviously my biggest regret of the evening) to catch a midnight train, but I carried away with me my own set of memories which have lasted ever since. This Leonard Cohen concert which for me had promised so much, had, in truth, delivered so much much more." Copyright 1994 © Jim Devlin Reprinted with permission |
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Continue on to Page II of The Tour
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